Robert Mapplethorpe Flowers: Selections from the JPMorgan Chase Art Collection
Robert Mapplethorpe Flowers: Selections from the JPMorgan Chase Art Collection
February 4 - July 17, 2011
… they don’t look like anyone else’s flowers. They have a certain archness to them,
a certain edge that flowers generally do not have. —Robert Mapplethorpe, 1987
Robert Mapplethorpe (1946–1989) was one of the most innovative photographers of
his generation. Best known for his portraiture, depictions of contemporary gay life, and
documentation of sexual subcultures, he was a key member of the New York avant-garde of the 1970s and 80s, counting among his closest artistic colleagues the musician, artist, and poet Patti Smith, as well as Andy Warhol. His renown continued to increase after his untimely death from AIDS-related causes, and today he remains a figure of both celebrity and controversy.
Mapplethorpe’s photographs of flowers are among his lesser-known images, but are
nevertheless an important part of his life’s work. He shot them in his studio, often using
flowers from arrangements he was sent as gifts and rearranging them in vases from his
large personal collection. With their unconventional compositions, dramatic light-and dark contrasts, and crystalline focus, the images share many of the signature characteristics of his work. Although still lifes were not his stock-in-trade, Mapplethorpe pointed out the connections between his flower images and his highly charged images of people, remarking, “I don’t think they’re very different from body parts. Maybe I experiment a little more with flowers and inanimate objects because you don’t have to worry about the subject being sensitive or worry about the personality. I don’t think I see differently just because the subject changes.” With his flower pictures, Mapplethorpe pushed the envelope of what a still life could do and be.
The Montclair Art Museum is delighted to present Robert Mapplethorpe Flowers and thanks the JPMorgan Chase Art Collection for its generous loan of these works.
Image: Robert Mapplethorpe (1946-89), Irises, NYC, 1977, Gelatin silver print, Ed 3/25, 7 5/8 x 7 5/8 in., The JPMorgan Chase Art Collection, © Robert Mapplethorpe Foundation. Used by permission.
Sub Navigation
- On View
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- Past
- George Inness: Private Treasures
- Marina Zurkow: Friends, Enemies, and Others
- Stacy Pearsall: Selections from Baqubah, Iraq
- Engaging Nature
- The Spectacular of Vernacular
- Robert Mapplethorpe Flowers: Selections from the JPMorgan Chase Art Collection
- Warhol and Cars: American Icons
- Will Barnet: Centennial Celebration
- Potters, Patrons, and Promises: Gifts from Audrey and Norbert Gaelen
- A Force for Change: African American Art and the Julius Rosenwald Fund
- What Is Portraiture
- Dulce Pinzon: The Real Story of the Superheroes
- The Wyeths: Three Generations
- Living for Art: The Dorothy and Herbert Vogel Collection
- American Figurative Works 1908-1940: The Soyer Bequest
- Cezanne and American Modernism
- Myths, Memories, and Inspirations
- Out of the Vault: 95 Years of Collecting at MAM
- Reflecting Culture: The Evolution of American Comic Book Superheroes
- Will Barnet: Recent Works
- Morgan Russell and His Modern Mentors
- Eloquent Vistas: The Art of Nineteenth-Century American Landscape Photography
- Drawing Friends: Hedda Sterne's Portraititis
- Tribal Roots in the Garden State: 2008 New Jersey Arts Annual Crafts
- Kay Walkingstick's American Abstraction: Dialogue with the Cosmos
- Philip Pearlstein: Objectifications
- Anxious Objects: Willie Cole's Favorite Brands


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